The New York Times reports:
It was achievement enough that the Iraqi National Symphony Orchestra managed to survive the darkest days of the war, when it struggled for supplies and electricity, when its members fled for safety abroad and those who remained practiced in secret for fear of offending militants who considered music un-Islamic.
“We were fighting against the impending doom simply by functioning,” the orchestra’s charismatic director and chief conductor, Karim Wasfi, said the other day.
Now the orchestra finds itself “out of the bottleneck,” as Mr. Wasfi put it, facing challenges in a post-conflict society that are no less daunting for being less immediately life-threatening.
The orchestra is fighting for its budget, only now beginning to solicit corporate sponsorship in a country where the state once controlled all (and still does, if chaotically). Mr. Wasfi is lobbying to build an opera house in a country where electricity, clean water and garbage removal remain scarce services.
Hardest of all, the orchestra is trying to recreate a shared cultural life – “the concept of Iraq,” he said – that decades of isolation, international sanctions, war and sectarianism have thoroughly shattered.
“Iraq has achieved a lot, but it’s not yet on a solid, concrete foundation,” Mr. Wasfi said. “Stability is not related just to people not killing each other.”
The rest of the article can be found
here.
Comments